Just like the Lidded Cazuela, the Flat Casserole is perfect for the slow cooking of stews and casseroles, but due to its low profile, perfect for rice and seafood stews such as Paella. It is lower and wider than the Lidded Cazuela, and well suited for gas or electric ranges, and perfect for placing in an oven for finishing those rice dishes slowly. Since clay is a natural and porous material, it does not react with the food and causes a slow evaporation of steam from the pores. The moist enclosed interior results in food that is healthier and tastier as it requires less fat and liquids. The beautiful exterior finish makes for a great presentation for family style service.
Small
Medium
Large
Item Number:
MEX-3070-11
MEX-3070-13
MEX-3070-14
Dimensions (inches):
Length:
14
16
17
Width:
11.5
13.25
14.25
Height:
5
5
6
Diameter:
9.75
11.5
12.5
Capacity:
3 qt
4 qt
6 qt
How we measure
About the Mexican Clay Cazuela
The Cazuela is well-known throughout Mexico and can be found in just about any Mexican kitchen. They are an essential tool for Mexican cuisine and lend an authentic flavor and ambience to any Mexican table. They are widely used to prepare and serve many traditional dishes such as stews and casserole-style dishes, and great for slow cooking moles, which when simmered over an open flame acquire a special smoky taste.
Our Cazuelas come from the semi-desert region in the Mexican state of Hidalgo, where they are laboriously made by hand by our experienced artisans using 100% lead free glazes. They are certified lead free and completely safe for food use.
The pieces can be used in the oven, microwave, stovetop, or even direct flames, and can go directly to the table for an authentic presentation. The pieces can be used on a gas or electric range, however, a heat diffuser is recommended on electric ranges. And unlike other Cazuelas, ours are glazed inside and out making cleanup a breeze. The heat diffuser (which can be used with gas stove as well) has the added benefit of distributing the heat slowly to prevent foods from burning. Clay cookware can also be used on induction cooktops with the use of an induction cookware interface disk.
Care and Use
A Mexican Clay Cazuela is not only beautiful, but also quite sturdy and will last many years with proper use and care. As with other clay cookware, the flavor of the food cooked in it actually improves with use.
The pieces can be used in the oven, microwave, stovetop, or even direct flames, and can go directly to the table for an authentic presentation. The pieces can be used on a gas or electric range, however, a heat diffuser is recommended on electric ranges. The heat diffuser (which can be used with gas stove as well) has the added benefit of distributing the heat slowly to prevent foods from burning. Clay cookware can also be used on induction cooktops with the use of an induction cookware interface disk.
As with any clay or glass cookware, the pieces must not be submitted to drastic changes in temperature. The pieces should be allowed to slowly adjust to heat, letting the pieces slowly heat up until they are hot. Likewise, always allow the pieces to cool to room temperature before washing or storing them, and never set a hot pot on a cold surface such as granite or tile.
Our Cazuelas, unlike others, are glazed inside and out making cleanup a breeze. The pieces should never be placed in a dishwasher, but should only be washed by handed with warm soapy water. If heavily soiled, fill the pieces with warm soapy water and allow it to soak briefly, then scrubbing lightly with a sponge or soft cloth. Never use metal or abrasive cleaners, and always try to avoid strongly scented soaps which can flavor the clay.
Never use metal utensils, as it can scratch and damage the inside of the pieces, using wooden utensils instead. It is common for some staining or discoloration on the interior of the pieces to occur with use over time.
Appearance
As with most products which are handmade by artisans around the world, the pieces may have slight imperfections in the form or finish of the materials, or on the glazed designs. Sometimes sizes of same model pieces may also vary slightly, however, these imperfection do not compromise the aesthetics or functionality of the pieces and are considered normal and expected. Likewise, although lids are made individually to match each pot, they may not always fit perfectly as the two parts may shrink differently during the firing process.
Curing
Our Cazuelas are made from very fine clay and may be used after slowly bringing some water to the boil and need no further curing. The Cazuelas do benefit however from seasoning it prior to its first use, which can be simply accomplished by adding a couple of peeled garlic cloves to the boiling water use to cure the Cazuela.
The seasoning on the surface will increase with use; adding its signature flavor to the items cooked in it, and over time actually become naturally nonstick and requires low maintenance.
How they are Made
Deep inside Mexico, in the semi-desert region in the Mexican state of Hidalgo, our cazuelas are made by hand by artisans whose craft has been handed down for several generations. Unlike their ancestors’ methods, today, the process has been changed for the better by glazing the cazuelas with lead-free glazes. On the right, you can see the video on the entire process.
The process begins by the unearthing of the clay from local quarries.The chunks of clay are then transported o the artisan’s compounds and spread out to dry thoroughly. Once dry, the chunks are ground with the help of an electric grinder, a modern day addition, until they are ground into a fine powder. The powder is then sieved to insure a uniform size, as well as eliminating any possible rocks or pebbles.
The finely ground clay is combined with a little water and mixed by hand. The artisan continues adding water and kneading the mixture, much like a bread maker kneads bread. For the normally large batches this is done on the floor of their workshop.
To make the clay cazuelas, the artisan takes a piece of clay sufficiently large for the intended piece, and pounds it to the thickness required by the piece with a tool much like a meat pounder made from lava rock, the same material as a Molcajete.
The flattened clay is then molded over molds of the desired shape and size to ensure accurate reproduction of sizes. The piece is then rubbed by hand with water, and further rubbed with a wet lava stone to seal the pores of the clay.
The clay is then turned over and out of the mold, and let to air dry. Once the clay begins to harden, the interior is smoothed with a wet sponge and rubbed with a small wet lava stone to seal the pores on the interior of the piece. The rubbing inside and out of the pieces is a time consuming and laborious task, but results in excellent quality cazuelas, unlike some others rustically made which are available.
The next step of the process is the putting of the handles. To do so, the artisan begins by rolling a piece of clay forming a rod shaped piece. The rod is then slowly flattened on the work bench using the palms. Dipping the rod in water to make it slippery, the artisan then holds the flattened rod with one hand he uses his other hand to run his thumb downward along the flattened rod to shape the handle the desired contour and making ridges. He then snips off a length to trim the handle to the required length.
Once the handle is shaped, he attaches the handle to the piece smoothing the joint between the two pieces of clay making the joint invisible.
Once fully dry, the now dry and brittle pieces are sanded inside and out with porous lava rocks to ensure a smooth finish, and leaving them ready for the first firing. The first firing is done in a dome shaped wood burning over for over three hours. The pieces are stacked one on top of another in the upper chamber of the oven, while a hard wood fire is lit in the bottom chamber eventually reaching temperatures of over 1,000 degrees Fahrenheit.
After the firing, the cooled pieces are then glazed. Our products are glazed with 100% lead free glazes which are arduously mixed slowly by hand so as to not introduce bubbles. To glaze the pieces, the artisan carefully dips the entire pieces in the glaze, letting the excess drip away. For larger pieces, the glaze is splashed on and let drip off. The glaze immediately begins to dry and become opaque. Once semi-dry, the bottom is scraped with a hard plastic tool to remove the glaze from the bottom which can cause the piece to stick to the kiln in the second firing. The bottom is then cleaned with a wet sponge.
Once the glaze is fully dry, the piece is then ready for the second firing. The second firing is done in a modern gas kiln to better control the temperature and conditions. If during the second firing, the temperature is too low, the glaze will not mature or become transparent, and if too high, it will become too melted and actually run off the piece.
The pieces are then fired at between 950 to 1,000 degrees Fahrenheit and result in the beautiful Mexcian Clay Cazuelas we offer. After experiencing the entire process, which all told can take anywhere from 15 to 20 days from extracting the clay to the finished product, we have gained an appreciation for the artisans craft and a greater respect for their work.
Recipes
Nopales with Pork and Red Chile Sauce
Many people are intimidated by Nopales, or Prickly Pear Cactus paddles, not only because of their appearance in their uncooked state, but also because of their texture and sliminess. Like okra, you will either love them or hate them. Washing the cut Nopales with water several time helps reduce the slime.
compounds and spread out to dry thoroughly. Once dry, the chunks are ground with the help of an electric grinder, a modern day addition, until they are ground into a fine powder. The powder is then sieved to insure a uniform size, as well as eliminating any possible rocks or pebbles.
The artisan continues adding water and kneading the mixture, much like a bread maker kneads bread. For the normally large batches this is done on the floor of their workshop.
The flattened clay is then molded over molds of the desired shape and size to ensure accurate reproduction of sizes. The piece is then rubbed by hand with water, and further rubbed with a wet lava stone to seal the pores of the clay.
clay forming a rod shaped piece. The rod is then slowly flattened on the work bench using the palms. Dipping the rod in water to make it slippery, the artisan then holds the flattened rod with one hand he uses his other hand to run his thumb downward along the flattened rod to shape the handle the desired contour and making ridges. He then snips off a length to trim the handle to the required length.
Once the handle is shaped, he attaches the handle to the piece smoothing the joint between the two pieces of clay making the joint invisible.
Once fully dry, the now dry and brittle pieces are sanded inside and out with porous lava rocks to ensure a smooth finish, and leaving them ready for the first firing. The first firing is done in a dome shaped wood burning over for over three hours. The pieces are stacked one on top of another in the upper chamber of the oven, while a hard wood fire is lit in the bottom chamber eventually reaching temperatures of over 1,000 degrees Fahrenheit.
